March 26, 2009

Ten Years Back (and Forward?)

posted by Dan in Snooth, Wine, Guest Bloggers

About this time in 1999, I took an unknowing, impassioned first step into what has now turned into a ten-year love affair with wine.  Today I find myself back in my old stomping grounds of New York City pouring wines at a trade tasting.  Not as a volunteer, but as a vintner.  From a career in magazine publishing to wine production, it is amazing how quickly one’s life can change.

While I was living and pursuing my passion in Italy, fresh out of Business School, I wrote these thoughts about the wine industry.  I will admit the statistics (culled back in 2005) are somewhat dated, but from recent reports I have read, the wine industry has seen a continued trend in the direction I report.  Although, just as fast as one’s like can change, so can the world around us - we are all living with a (global) economic recession of galactic proportions that has already impacted some sectors of the industry.  Knowing what I wrote then, and what is happening now, I am reluctant to make any predictions on the future of the wine industry, because as I have learned with winemaking, it is good to be patient and make decisions when the sediment has settled.

On a lighter note, I was prepared to cringe while reading my youthful idealism for wine.  Expecting my words to sound like a post-Sideways Hallmark card; I actually found that my initial feelings have only been strengthened over the recent years.  So, please indulge me, read on and let me know if anyone has any thoughts about the future of wine.

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[Ten] years ago, a friend from Hollywood, who traveled regularly to the sets and soundstages of New York, introduced me to fine wine.  When his day was done, over dinner at haute restaurants in midtown Manhattan, he would wax poetic about the Californian wines on leather bound lists that were larger than the scripts he would read.  He talked about buying a piece of land in wine soaked Napa Valley and retiring.  We drank Pahlmeyer, Caymus and Thackery.  Names I knew only by the corks I saved from his dissertations.

I left each dinner with self-imposed homework.  I began reading more about wine, then drinking it.  I felt I was gaining an intelligence that allowed me to appreciate the wine we would drink on his next visit.  Inevitably our friendship waned, but I continued my studies and began to refine my taste.  Through the years since, I was considered an expert amongst my friends.  However, in my mind I was far from an expert; I was an amateur connoisseur.  Like most amateurs, I can confess to having hit or miss moments while drinking.  Some nights, I will open a bottle of wine and capture the orchestration in the glass; I am able to identify with the wine’s origins and create a memory the moment the grape juice touches my tongue.  Other times, I fail in achieving such oenological delight and proceed to swill the wine, while throwing sobriety to the wind.

In September 2004, I took wings to an easterly wind and visited Sicily and the family of one of my fellow business school class mates.  During the weeklong journey, we spent a day visiting vineyards on the southeast side of the island.  When I returned to the States, it was not the Sicilian wine’s fruitful finish that stuck with me, but the culture of the wine making process.  I pondered the essence of this culture.

The Business of Grape Growing

Wine, in all its forms, is a packaged good.  Wine is an industry that is ultra-competitive.   Worldwide it tallies $225 Billion in sales, but the top 10 producers control just 15% of the market, in comparison, the top 10 brewers and spirit distillers account for 54% of all sales. Wine prices range from $2 a bottle to north of $2,000 for a taste of first-growth Bordeaux.  Ask the MBA educated Brand Managers at Procter and Gamble if they would be interested in overcoming the barriers to entry in this market and they would certainly dazzle you with a “five forces” analysis of the question’s stupidity.

But what I learned on the vineyard is how these winemakers produce a product of quality. The philosophy of wine is delicate.  Wine is human.  On the farm, the grapes are given a heart.  During the growing season, the vines are like a mother during pregnancy.  At harvest, the grapes are reared to produce the best quality juice.  Then aged until they are uncorked. When uncorked, the wine will blossom in the glass throughout the drinking process.

Far from any classroom or boardroom, the values put into every vintage are textbook classic.  The vines are cultivated by generations of family members with consistency of purpose.  1) The grapes are the product of your self.  2) Guide them down a path, but allow them to flourish on their own - with autonomy the product will ripen.  3) Polish the product and prepare it for market. 4) While in market, the product will reflect the company’s care. However you translate this philosophy, it remains a poetic, although, a process that struggles with the speed of the developing consumption patterns in the beverage alcohol market.

Old vs. New World

Today, the wine industry continues to outpace its competitors. Some will argue that wine’s growing popularity amongst consumers was bolstered by a medical report released in the 1980’s that stated a glass of wine a day is actually better than the old “apple” adage.  Twenty-odd years later, in 2001, wine sales in Germany overtook beer consumption and has a penetration rate of 70% of all households. In Australia, a new winery opens every three days.  In the United States, the Yellow Tail brand (from Australia) is the #1 sold import – a couple of years prior, it did not exist.  By 2010, the United States will be the largest consumer of wine in the world.

France and Italy are considered “old world” producers.  There are 230,000 producers in France alone; many cultivating the ‘wine is human’ process where “wine is consumed, not sold.” There is no marketing strategy.  The best grapes from the best “terroir” are the best value no matter what the price.  Terroir, or soil, is of utmost importance.  Without it, you can’t identify with the wine.  You can’t feel the wine.  Consumers in the old world appreciate wine like a work of art - they will stand in front of a painting and make an emotional connection, without such a connection a memory will not exist.  In the “new world,” such opinions about wine are still developing.  Wine appreciation is still inaccessible to the masses. In America, 15% of drinking age adults consume 85% of the wine sold, and new world producers (American, Australia, Chilean) are taking advantage of this trend, and wine production is becoming industrial.

The new world is consuming the P&G model, the product approach, where the value proposition is different - low price points for high volume sales. An international marketing machine has been created that produces “standardized” wines.  This model caters to consumers where wine is made through mass media.  Dominate holding companies, like Diageo and Pernod are returning 15-20% of sales revenue into their marketing expenses for budget wines that command a price point in the $7 range. These producers are exploiting opportunities where there are obstacles for appreciation - inexperienced consumers, language barriers and limited imports.  Retail outlets are recognizing these obstacles and consolidating shelf space to support sales that produce optimal returns. Wines with simple packaging categorized by red or white and grape name, i.e. Cabernet, Chardonnay, Syrah and Sauvignon Blanc, are delivering volume sales and the right balance of profit.

To Sell or Not to Sell

The new world is no longer new, it is established.  Consumer attitudes and consumption habits are gaining traction, and the Darwinian philosophy of pushing sales will only continue the precipitous demise of the fragmented, old world producers. For example, in the United Kingdom, over last 15 years, wine consumption per person has doubled to 23 liters (or 2.5 cases) per year per person; however, old world - French, German, Italian and Spanish - wine sales have plummeted from 87% market share to 42%, while new world (American, Australian and Chilean) share has soared from 4% to 47%. Larger producers are succeeding in turning farms into factories and limiting the distribution opportunities of artisan (old world) wine makers.  A global philosophy is dominating, a philosophy that takes cue from Coca-Cola brand management, where regional not central decision-making is helping profit margins. Brands of scale are being produced to identify with the market and not the product source.

If wine continues to be sold in this fashion, the low volume-high quality producers of the old world will have a few questions to answer.  Is there a healthy balance between artisan wine making and commercialism?  Is it possible to subsist on appreciation alone?  How can you increase brand awareness, therefore sales, without the marketing expertise or dollars to do so? For many of these producers it is impossible.  The investment for innovation, distribution and education through marketing looms large.

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I have extracted my thoughts about the future, which were written in 2005, based on the notion that I am not in the game of predictions; even if, as I re-read them, some of them have come true.  But when I look at the way I have predicted the outcome(s) of this year’s NCAA March Madness, I don’t want to put the cart before the horse.  That being said - feel free to predict away.  Would love to hear your thoughts on the future of wine drinking and selling.

Dan Petroski is Assistant Winemaker at Larkmead Vineyards in Napa Valley. Dan has an MBA from New York University and worked as an Ad Exec in New York for several years, before switching it up and trading his suit for a move out west.

March 11, 2009

Gambero Rosso Recap

posted by Dan in Wine Industry, Wine, Guest Bloggers

About this time last year, I blogged about the top Italian wine tasting event of the year – the Gambero Rosso “Tre Bicchieri” road show.

Last week, I was able to attend the event for the second year in a row.  It is an understatement to say that I was knee-knocking excited and pedal to the metal from Napa to San Francisco on that bright, sunshiny day.  I arrived promptly at 2 p.m. for the trade portion of the program to find the place already swarming with Italophiles.  I fingered the pages of my tasting guide, but decided quickly to start with the white wines from the first table and continue from there to completion before moving on to the reds.

There were 122 producers present from Gambero Rosso’s 2009 guide of top Italian wines.  In a world of rating, i.e. score, escalation, it is always amazing to me that the folks at Gambero Rosso review 2,000+ producers and over 18,000 wines each year and only give their top score, “Three Glasses,” to three hundred plus wines.  As consumers we have to tip our tastevins to the publication’s discerning palate.

However, in hindsight of the event, I was disappointed.  Understanding that we are in a worldwide economic recession, and the dollar isn’t as attractive to Europeans as it was last year, there was a less significant number of producers present this year.  Second, the tasting was prominently categorized by Distributor.  Not saying it hasn’t been done as such in previous years or other events, but this time around it was obnoxious.  If a Distributor was fortunate enough to have two, three or more top Italian wines in their portfolio, the wines were stationed side by side and sometimes there was one person pouring the wines of two or three different producers.  I understand this for Trade purposes – i.e sell the strength of the portfolio - but during the couple of hours when the San Francisco wine cognescenti were tasting, the grey-flannel pant and oxford shirt brigade of Distributors floating behind the tables were schmoozing to push the wines more than they were trying to pull you into the allure of these spectacular representations of Italian appellations and artisanship.

And this was not the only drawback.  First the white wines were chilled to Titanic, glacial proportions.  Not a single white wine in the first hour of my tasting showed any discernable character beyond razor acidity. The most disappointing interaction was with a Friulano white when two of us tasting stated that the wine they were pouring was flawed.  The rotund Distributor called for one of his colleagues to taste – the colleague then passed off an ambivalent face as to say, ‘Bu’ (translation, ‘whatever’).  It took persistence from the woman from a top San Francisco wine store and myself to say, “this wine is corked.”  With reluctance, a new bottle was opened and tasted, ice cold.

I have been fortunate to be on both sides of the table over the past couple of years.  And when pouring wines at such events like this, I am gracious and thankful that someone would (a) stop by and taste our wines, (b) be already familiar with our wines and (c) have an opinion about the quality and presentation of the wines.  Larkmead is a boutique producer in a world of big-time, big-price Napa Valley wineries.  Similarly, Italian ‘three glass’ wines from Friuli are a small fraction of the American awareness; the first rule of sales – the customer is always right.  If you don’t want to believe that, find a new profession.

All in all, it wasn’t a bad day.  I was quite impressed with the completeness of the 2004 Barolos I tasted.  I was intrigued with some of the older, ready to release white wines, and I was shocked by the elegance and approachability of the handful of Amarones present at the tasting.  Later this week, I will post some of my tasting notes directly on this site and will announce it on the bulletin boards.  I would be curious if any of you Snooth’ers went to this tasting in San Francisco or in other parts of the country that the Gambero Rosso road show is presenting.  I’d love to hear your thoughts – especially you Southern Californians who had to wait five hours for the wines to arrive!
Dan Petroski is Assistant Winemaker at Larkmead Vineyards in Napa Valley. Dan has an MBA from New York University and worked as an Ad Exec in New York for several years, before switching it up and trading his suit for a move out west.